IN LOVE OF KALI

...Personage, not person, creator and object herself, the she author enters the scene ­ electronic and photoelectronic, material and perceptive ­ disseminating the terror of losing oneself, entwines in that spreading out of oneself which is a rebirth in the vital breath of the spectators. Virtual or real public as it may be, the omnivorous author devours and metabolises; she herself is devoured and becomes flesh and thought, while that very same thought ­ if not her flesh ­ regenerates...